Atlanta Ballet Gennadi Nedvigin | Artistic Director

Atlanta Ballet Gennadi Nedvigin | Artistic Director

Apprentices

Bret Coppa is 18 years old and from San Pedro, Calif. This is his second season with Atlanta Ballet. Some of his roles with Atlanta Ballet include Gaston, Russian, Nephew, and Mazurka. He is a graduate of the University of North Carolina School of the Arts, where he has performed many principal roles, including Solor in La Bayadѐre, Principal Male in Donizzeti Variations, Waltz Boy in Serenade, The Poet in Les Sylphides and Caviler in The Nutcracker. Bret got his start at the Peninsula School of Performing Arts under the artistic direction of Roberto Almageur. During his training in the Los Angeles area, he performed as a guest artist in California and danced roles throughout the country. Bret has also competed in the Prix de Lausanne twice, and he was a finalist in 2015. In 2017, he went to St. Petersburg, Russia, where he received his teaching certification in the Vaganova method.

BROOKE GILLIAM, from Boulder, Colo., began her training at the Colorado Conservatory of Dance under the direction of Julia Wilkinson Manley. After her sophomore year, she attended Atlanta Ballet’s Professional Summer Intensive and was invited to the Conservatory program on a merit scholarship. Gilliam was a part of the second company for two seasons and performed leading roles in Bruce Wells’ Snow White and Beauty & the Beast, Robert Barnett’s Arensky Dances and Liam Scarlett’s Vespertine. She has appeared in such Atlanta Ballet productions as Paquita, Swan Lake, and Yuri Possokhov’s Firebird and Don Quixote. She is thrilled to join the Company as an apprentice this season.

EMMA GUERTIN was born in Ontario and began dancing at age 5 with the Oakville Ballet under the direction of Amanda Paterson. While with Oakville Ballet, she spent summers attending National Ballet School of Canada and Orlando Ballet school’s summer intensives. Beginning at age 16, Guertin spent two years at Orlando Ballet School as a trainee, and she was then promoted to Orlando Ballet’s second company. While with Orlando Ballet, she attended the 2017 Youth American Grand Prix semifinals, receiving a bronze medal in contemporary, advancing to the final round and performing at Lincoln Center in New York. This past summer, Guertin competed in the USA International Competition in Jackson, Miss., and she was offered her Atlanta Ballet apprenticeship. She is excited to start the next chapter of her career at Atlanta Ballet. Favorite performances include George Balanchine’s Serenade and Sleeping Beauty.

LUCAS LABRADOR was born in Cosquín, Argentina, and began his dance training at age 16. He spent two seasons at Ballet Nacional de Argentina under the direction of former Royal Ballet principal dancer Inaki Urlezaga. Lucas toured Argentina, Spain and Portugal, performing roles in Swan Lake, Carmen, Paquita, La Traviata and Giselle. In 2016, he accepted a full scholarship to study at The Rock School in Philadelphia. In January 2017, he won first place in the pas de deux category at the Youth America Grand Prix Atlanta and second place in the ensemble category at the New York City finals. Most recently, as a member of Atlanta Ballet 2, his repertoire included lead and starring roles in Beauty & the Beast and Atlanta Ballet’s Nutcracker, plus roles in Swan Lake and Don Quixote. Lucas is grateful to be an apprenctice with Atlanta Ballet this season.

Apprentices

JULIANA MISSANO was born in Lloyd Harbor, N.Y., and began studying ballet at age 5. She trained at the Lynch School of Ballet until she was 15, and then continued her training at The Rock School under the direction of Bo and Stephanie Spassoff. In 2017, Juliana was named a U.S. Presidential Scholar in the Arts and performed at the Kennedy Center. She has competed in the Youth America Grand Prix, receiving the Grand Prix Award, placing first in the pas de peux category and advancing to the final round where she performed at Lincoln Center. This is Juliana’s second season with Atlanta Ballet. Some of her favorite repertoire include Yuri Possokhov’s Don Quixote, Stanton Welch’s Tutu and Max Petrov’s Concerto Armarico.